Now we can think about the areas of I guess you can consider It would be this backside right over here, but You can't see it in this figure, but if it was transparent, if it was transparent, So that's going to be 48 square units, and up here is the exact same thing. Thing as six times eight, which is equal to 48 whatever Here is going to be one half times the base, so times 12, times the height, times eight. Of this, right over here? Well in the net, thatĬorresponds to this area, it's a triangle, it has a base So what's first of all the surface area, what's the surface area We can just figure out the surface area of each of these regions. So the surface area of this figure, when we open that up, And when you open it up, it's much easier to figure out the surface area. So if you were to open it up, it would open up into something like this. Where I'm drawing this red, and also right over hereĪnd right over there, and right over there and also in the back where you can't see just now, it would open up into something like this. It was made out of cardboard, and if you were to cut it, if you were to cut it right 105–6.Video is get some practice finding surface areas of figures by opening them up intoĪbout it is if you had a figure like this, and if "Excavations at Siraf: First Interim Report." Iran 6, 1968, p. Canby in Footnotes: 1- Whitehouse, David. Unfortunately, not enough inscriptional evidence remains for an identification of the person who lay beneath this marker. 31.50.1, has funerary associations going back to the Romans and continuing in Coptic art and Islamic Egypt, so its appearance here is iconographically consistent with broader trends in commemorative sculpture and architecture. Given the supposed provenance of the stone as coming from a cemetery in Hamadan, the connection to jewelry may not be far-fetched, since Hamadan was a commercial city of which the main exports were "gold work and leather articles." The scallop design in the arches, reminiscent of a similar design in MMA no. Unlike other grave covers, which have complex epigraphic decoration on the sides and little or none on the top, some of the dense ornament here recalls filigree jewelry. Since the inscriptions include a truncation of the basmala and the phrase "to them," the name of the deceased can be assumed to have been carved on the sides of the tomb cover to which this piece was attached. A ridged socle with triangular extensions forms the base of this grave marker and would have been contiguous with the rectangular lid of the tomb. The center section, bordered at right and left by vertical bands of simple interlace, contains a short inscription band and, below it, four rows of four hexagons containing crosses. The latter motif is repeated twice in a band below the arches. On either side of the wider central section are two arches with a scallop design in the arch, below which a vine in the form of a stylized leaf encloses a trefoil. Each of the long sides has three sections. While the limestone grave covers of this type from Siraf are decorated with elaborate kufic inscriptions, most of the ornament on this piece is geometric and vegetal. Extant examples of such tombstones range in date from the late tenth to the early thirteenth century. Tombstone This stone in the form of a small sarcophagus would have been attached to a larger lid of a grave marker.
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